How Point of View Affects Your Story
How POV Affects Your Story
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Segment 1 (Announcements/Author Updates):
(Valerie): launching my four-month book coaching container Aligned Author TODAY. The price is drastically cut this week (it's $667 off the regular price.) Go to valerieihsan.com/alignedauthor for all the details.
Write in the Harbor conference is coming up (2 presentations to prep for)
feeling some feelings lately about the finality of the move and the recognition of Last Times I Will See/Do ...
Also having some "Get over it" feelings about not showing up online. I used to show up more in pictures and words on social media and blogged (wrote a lot of personal essays), and since I've become a published author
(Erick):
running google ads and qualifying potential clients
polishing stories up for omnibus edition
Ghost Story Weekend (Newport)
What are you reading?
Valerie:
Just finished: The Witch of Willow Sound
Wild Dark Shore (Charlotte McConaghy)
Creative Act (Rick Rubin)
(Not ready to give up on them, but struggling to finish them:) Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman;
Erick:
• Summer of Night (Dan Simmons)
Segment 2 (Resources/Tips/Tidbits):
Tidbit #1:
Tidbit #2:
Segment 3 (Main Topic):
Notes:
POV = promise: what intimacy, information, and bias will the reader get?
• 1st = interiority + voice; close 3rd = balance of interior/exterior; omniscient = scope + theme.The camera test: what can the narrator see/know/believe in this scene?
• Ban anything they couldn’t realistically perceive; use misbeliefs to create tension.Distance is a dial, not a switch:
• Zoom in (sensory, thought-beat, micro-movements) for emotion; zoom out (summary, context) for pace/theme.POV shifts = scene breaks + reason:
• Change only to add net new conflict, clue, or consequence. Track continuity of diction and metaphor.Try this: rewrite a 200-word scene in 1st, close 3rd, and omniscient.
• Ask: which version delivers the most tension, clarity, and theme resonance?
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